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C
h r i s t o p h e r T. R a y 
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B e r n a r d
B r e n n e r I've known the work of Bernie Brenner since the mid sixties and have always admired the integrity and depth of his compositions. This artist, who has been a quiet cornerstone in the art community of Philadelphia has had an obscure but persistent presence, always lighting up the shadows every once in a while. He appears, disappears then reappears again, his larger works marking the landscape in unexpected places. Then he folds back into himself creating an endless array of small studies and completed works that are full of the richness of life and monumental in concept. At another time, at another place one will come upon a new work from this artist, soaring up from from the ashes of a bronze or steel maquette perhaps rediscovered among the hundreds lining his studio walls. Outside the studio building where another artist has given him space to share, there are numerous large works in steel that seem to be straining for release or simply hunkered down, patiently waiting for a permanent site on which to reside. One can only anticipate a new home for these pieces. However, whether they are ever moved or not, for the moment they seem comfortable enough among the industrial yards nearby, nestled within the hulks of rusting trucks and machinery frames. His strongest influences stem from the eastern traditions of India as well as past European and mid century American masters. The work suggests and implies rather than defining a specific idea. For me it's the gestalt of the work that provides the clue to intent. For me also, the works both large and small, have a classic quality that can defy the boastfullness of more finished works as well as warmly handshaking unfamiliar works from indigeneous cultures. Chris Ray - exhibition curator
Bernard Brenner
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